Module Specifications.
Current Academic Year 2024 - 2025
All Module information is indicative, and this portal is an interim interface pending the full upgrade of Coursebuilder and subsequent integration to the new DCU Student Information System (DCU Key).
As such, this is a point in time view of data which will be refreshed periodically. Some fields/data may not yet be available pending the completion of the full Coursebuilder upgrade and integration project. We will post status updates as they become available. Thank you for your patience and understanding.
Date posted: September 2024
| |||||||||||||||||||||||||||||||||||||||||||
None |
|||||||||||||||||||||||||||||||||||||||||||
Description This two unit module introduces students, firstly, to the ‘origins’ of children’s literature in the late 1600s/early-to-mid-1700s and, secondly, the kinds of debates that surrounded children’s literature as it evolved. Material covered in this section will include didactic works as well as imaginative and fantasy texts. A major preoccupation of this section will be to consider how such texts were crucially implicated in underpinning the social order at this time, by cultivating very particular attitudes to gender, class, and race within their readers. The expanding market in Anglophone children’s literature in the 19th century coincided with contested claims of nationalist and imperialist thought, evolutionary discourse, and revolutionary questions of gender identity, political authority, and social class. The second section of the module considers the extent to which children’s books of the period reflect, interrogate, and dramatize these cultural and political discourses – including issues of nationalism, imperialism, self-fashioning, gender identities and roles, authority and rebellion, agency and structure – by considering a range of significant works by Anglo-American and Irish writers, from Charles Kingsley to L. Frank Baum. We will examine these texts and ask: to what extent did were they merely embodiments of contemporary cultural and political anxieties, and to what extent did they open up spaces of freedom and possibility in which these anxieties could be thought anew? | |||||||||||||||||||||||||||||||||||||||||||
Learning Outcomes 1. Demonstrate a clear understanding of the history of children’s literature from the late seventeeth century until the early 1900s. 2. Relate the emergence of children’s literature to evolving notions of the child and childhood from the late seventeeth century onwards. 3. Recognize the key characteristics of children’s literature. 4. Demonstrate an understanding of the relationship between children’s literature and the social and political discourse/preoccupations of the period(s) under discussion. | |||||||||||||||||||||||||||||||||||||||||||
All module information is indicative and subject to change. For further information,students are advised to refer to the University's Marks and Standards and Programme Specific Regulations at: http://www.dcu.ie/registry/examinations/index.shtml |
|||||||||||||||||||||||||||||||||||||||||||
Indicative Content and Learning Activities
Indicative Content of Seminars:(1) Introduction (2) James Janeway, A Token for Children (1671, 1672) (3) John Newbery, A Little Pretty Pocket Book (1744) (4) Sarah Fielding,The Governess (1749) (5) Extract from Robert Paltock’s Peter Wilkins (6) William Blake, Songs of Innocence (7) Jane Austen, Selection from Juvenilia (8) Maria Edgeworth, The Parent’s Assistant (9) Mrs. S.C. Hall, Grandmamma’s Pockets (10) General Introduction (11) Charles Kingsley, The Water-Babies (1863) (12) Lewis Carroll and Little England in Alice in Wonderland (1865) and Through the Looking-Glass (1871). Illustrations by John Tenniel and Arthur Rackham (13) American Girlhood: Louisa May Alcott, Little Women (1868) (14) American Boyhood: Mark Twain, Tom Sawyer (1876) (15) Race in Mark Twain’s Huckleberry Finn (1885) (16) Childhood and Adulthood: Sarah Orne Jewett, “Lady Ferry” (1879) (17) Robert Louis Stevenson and Scottish Identity in Kidnapped (1886) (18)Oscar Wilde and Decadence in The Happy Prince and Other Tales (1888) | |||||||||||||||||||||||||||||||||||||||||||
| |||||||||||||||||||||||||||||||||||||||||||
Indicative Reading List
| |||||||||||||||||||||||||||||||||||||||||||
Other Resources None | |||||||||||||||||||||||||||||||||||||||||||