Module Specifications.
Current Academic Year 2024 - 2025
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Date posted: September 2024
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Repeat examination |
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Description A module designed to introduce learners in how to use the memorising and reproduction of great solos as a learning tool, particularly as it relates to being able to absorb rhythmic, melodic, and harmonic vocabulary and incorporate it into their own playing. In addition, via the ‘Meta Transcription’ it will introduce learners to methods of deep listening to overall recordings as well as to individual solos. The workshop will include a survey of the tools necessary for accurate transcription such as aural analysis, singing, attention to stylistic detail and timbral nuance. In addition learners will explore how to use information discovered in transcription into their own playing. | |||||||||||||||||||||||||||||||||||||||||||
Learning Outcomes 1. Be able to accurately reproduce six great solos by significant jazz performers 2. Expand their technical, and aural technique 3. Learn idiomatic vocabulary from the classic jazz tradition 4. Develop abilities in how to listen to music on a deep and detailed level 5. Develop stylistic authenticity on their instrument and broaden their own creativity and musical language | |||||||||||||||||||||||||||||||||||||||||||
All module information is indicative and subject to change. For further information,students are advised to refer to the University's Marks and Standards and Programme Specific Regulations at: http://www.dcu.ie/registry/examinations/index.shtml |
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Indicative Content and Learning Activities
Solo Transcriptions° Memorise and learn to sing six solos from the transcription solo list (four from the candidates own instrument, two from different instruments) ° Memorise and learn to play the same six solos from the transcription solo list ° Reproducing nuances of phrasing and sound from the original recording ° Learning how to extract information from the chosen solos for individual useMeta TranscriptionEach candidate will be required to present a ‘Meta Transcription’ which will set out, in a table, all the important events that occur on a chosen album. The album can be chosen by the learner in consultation with the lecturer, but must come from the jazz canon. Features explored will include: ° Nature of the intro to every piece ° Melody characteristics of each piece ° Time signature of each piece ° Rhythmic feel of each piece ° Order of solos of each piece ° Ending of every piece | |||||||||||||||||||||||||||||||||||||||||||
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Indicative Reading List | |||||||||||||||||||||||||||||||||||||||||||
Other Resources 30098, Recordings, 0, Approved list of transcription recordings, 30099, App, Roni Music, 2014, Amazing Slowdowner, | |||||||||||||||||||||||||||||||||||||||||||