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Module Specifications.

Current Academic Year 2024 - 2025

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Date posted: September 2024

Module Title Rhythm Studies 3
Module Code MC326 (ITS) / MPA1060 (Banner)
Faculty Humanities & Social Sciences School Theology, Philosophy & Music
Module Co-ordinatorRonan Guilfoyle
Module TeachersGreg Felton
NFQ level 8 Credit Rating 5
Pre-requisite Not Available
Co-requisite Not Available
Compatibles Not Available
Incompatibles Not Available
None
Description

Building on techniques and ideas studied in RS2, this module will broaden the expertise of learners in particular in the areas of polyrhythms and subdivision. Learners will be introduced to singing and clapping using multiple polyrhythms, both in odd and even metres, singing bass lines while clapping different rhythms, and reciting Mukhtais and Korvais at the three speeds.

Learning Outcomes

1. Be comfortable singing and clapping using multiple polyrhythms both in odd and even metres
2. Be able to sing bass lines to standard tunes while clapping different rhythms
3. Be able to recite Mukhtais and Korvais at the three speeds.
4. Be adept at rhythmic reading
5. Develop a rhythmic technique which will allow learners to engage fluently and artistically within contemporary rhythmic environments



Workload Full-time hours per semester
Type Hours Description
Lecture24Weekly, A one-hour group lecture-workshop
Independent Study101Rhythmic practice
Total Workload: 125

All module information is indicative and subject to change. For further information,students are advised to refer to the University's Marks and Standards and Programme Specific Regulations at: http://www.dcu.ie/registry/examinations/index.shtml

Indicative Content and Learning Activities

Complex rhythmic techniques
Skills that lead to more complex rhythmic techniques will be demonstrated and information given on effective ways to practice these skills. Content will aim, through physical practice, to develop the rhythmic technique of participants through such techniques as: ° Singing a melody while clapping a fixed rhythmic pattern ° Singing a melody while clapping two other independent rhythms ° Reciting a Korvai at three different speeds ° Sight reading passages written in odd metres ° Singing the bass line to a standard song while clapping different rhythms ° Subdivision skills, ° Singing a symmetric melody while clapping an asymmetric rhythm ° Rhythmic Displacement skills

Assessment Breakdown
Continuous Assessment100% Examination Weight0%
Course Work Breakdown
TypeDescription% of totalAssessment Date
Performance evaluationPracticing, alone and with others, a series of rhythmic tasks, all of which will have been covered in the Rhythm Studies module during the current academic year.80%Sem 2 End
Participationn/a20%n/a
Reassessment Requirement Type
Resit arrangements are explained by the following categories:
Resit category 1: A resit is available for both* components of the module.
Resit category 2: No resit is available for a 100% continuous assessment module.
Resit category 3: No resit is available for the continuous assessment component where there is a continuous assessment and examination element.
* ‘Both’ is used in the context of the module having a Continuous Assessment/Examination split; where the module is 100% continuous assessment, there will also be a resit of the assessment
This module is category 1
Indicative Reading List

  • Louis Bellson, Gil Breines: 0, Modern Reading Text, Alfred Publishing Company, 0769233775
  • Guilfoyle, Ronan: 1999, Creative Rhythmic Concepts for Jazz Improvisation, Newpark Music Centre,
Other Resources

31388, App, Battisti, Mauro, 2014, Drumgenius, Projazz Lab,

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