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Module Specifications..

Current Academic Year 2023 - 2024

Please note that this information is subject to change.

Module Title Transcription 2
Module Code MC327
School 59
Module Co-ordinatorSemester 1: Greg Felton
Semester 2: Greg Felton
Autumn: Greg Felton
Module TeachersLinda Adams
Greg Felton
Christopher Guilfoyle
NFQ level 8 Credit Rating 5
Pre-requisite None
Co-requisite None
Compatibles None
Incompatibles None
Repeat examination
Description

Following on from the introduction to transcription techniques studied in MC222, this module will concentrate on the intense study of one major solo. The module will introduce learners in how to use the transcription of a great solo as a learning tool, and method of absorbing large amounts of material – technical, aural, theoretical, stylistic and timbral - which can be incorporated into their own playing and used creatively. It will also demonstrate analytical techniques to learners and show how these techniques can be applied in a creative and practical context

Learning Outcomes

1. Have transcribed, learned off by heart, and analysed a major solo by a great practitioner
2. Develop their own technical, analytical, and interpretive skills
3. Develop their own aural and notation skills
4. Develop critical analysis skills
5. Incorporate these skills into areas that are artistically satisfying on a personal level



Workload Full-time hours per semester
Type Hours Description
Lecture24Weekly, A one-hour group lecture-workshop
Independent Study81Practice of solos, creation of new solo
Independent Study20General and analysis essays
Total Workload: 125

All module information is indicative and subject to change. For further information,students are advised to refer to the University's Marks and Standards and Programme Specific Regulations at: http://www.dcu.ie/registry/examinations/index.shtml

Indicative Content and Learning Activities

Original Transcription Performance:
° Finding an appropriate and relevant solo as the subject for this module ° The accurate reproduction of the chosen solo and playing it from memory, along with the original recording

Transposed Transcription Performance:
° Playing the same solo, from memory, a tritone away from its original key ° Drummers will convert the solo to a different time signature

Reconstructed Transcription Performance:
° A learner-composed solo, played from memory, constructed from phrases contained in their original transcription.

General Essay:
° An essay based a general description of the chosen solo, its historical context, the other musicians involved, etc.

Analysis Essay:
° An essay based a technical description of the chosen solo, its harmonic, rhythmic, melodic and structural content.

Assessment Breakdown
Continuous Assessment100% Examination Weight0%
Course Work Breakdown
TypeDescription% of totalAssessment Date
EssayGeneral Essay: Researching and writing a general description of the chosen solo10%Week 6
Performance evaluationOriginal Transcription Performance Learning, memorising and transcribing a learner-chosen solo35%Sem 1 End
EssayAnalysis Essay Researching and writing an analysis of the chosen performance10%Week 12
Performance evaluationTransposed Transcription Performance: Learning the original solo played a tritone away from the original key20%Week 19
Performance evaluationConstructed Transcription Performance Creating a solo constructed by the learner using phrases from the original solo25%Sem 2 End
Reassessment Requirement Type
Resit arrangements are explained by the following categories;
1 = A resit is available for all components of the module
2 = No resit is available for 100% continuous assessment module
3 = No resit is available for the continuous assessment component
This module is category 1
Indicative Reading List

    Other Resources

    0, App, Nisson, Rolf, 2016, Amazing Slow Downer, Roni Music, 0, Computer Software, Robinson, Andy, 2016, Transcribe!, Seventh String Software,
    Programme or List of Programmes
    JZCMBA in Jazz and Contemporary Music Perfor
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