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Latest Module Specifications

Current Academic Year 2025 - 2026

Module Title Creativity in ECE (a focus on Music)
Module Code ECE1021 (ITS: EC107)
Faculty Arts Education & Movement School DCU Institute of Education
NFQ level 8 Credit Rating 5
Description

This module provides a thorough understanding of how young children’s creative learning in and through music may be enabled through focusing on theories of play and creativity in music in the first instance. Connections between young children’s social, psychological and physical development and their learning in music are also made. The employment of culturally appropriate resources for music is central to the practical and experiential aspect of the module. An understanding of the principles of Síolta: The National Quality Framework and Aistear: The Early Childhood Curriculum Framework also informs this work, where themes of Well-being, Identity and Belonging, Communicating, and Exploring and Thinking are explored holistically and interactively through the musical activities of singing, playing, moving, creating, listening, and engaging with digital technology.

Learning Outcomes

1. Appraise theories of play and creativity in early years, focusing on factors that can contribute to children’s musical learning.
2. Make connections between theories of children’s social, psychological and physical development and theories of musical acquisition in young children.
3. Demonstrate awareness of oneself as a critical agent in enabling the activities of singing, playing, moving, creating, listening and engaging with digital technology such that they contribute to children’s musical learning.
4. Reflect on the principles of the relevant national curriculum frameworks for early childhood, showing how the themes and approaches may be explored holistically through musical activity
5. Design and plan a socially, culturally and developmentally appropriate sequence of musical learning experiences for babies, toddlers and young children.
6. Critically evaluate a range of musical materials for children aged 0-6 years, recognising their cultural significance and relative potential to contribute to children’s holistic musical development.


WorkloadFull time hours per semester
TypeHoursDescription
Workshop24No Description
Assessment Feedback72No Description
Independent Study29No Description
Total Workload: 125
Section Breakdown
CRN20240Part of TermSemester 2
Coursework0%Examination Weight0%
Grade Scale40PASSPass Both ElementsY
Resit CategoryRC1Best MarkN
Module Co-ordinatorRegina MurphyModule TeacherMarlene Mccormack
Assessment Breakdown
TypeDescription% of totalAssessment Date
Formal ExaminationObservation of musical development of a baby, toddler or young child in an early childhood setting25%Week 7
PresentationFormulation of holistic music learning activities for early childhood setting25%Sem 1 End
EssayE-Portfolio /portfolio (co-assessed with BECE102). Building on portfolio in BECE102, compilation of creative resources for early years music teaching, and presentation of portfolio in digital and print formats (as specified in class)50%n/a
Reassessment Requirement Type
Resit arrangements are explained by the following categories;
RC1: A resit is available for both* components of the module.
RC2: No resit is available for a 100% coursework module.
RC3: No resit is available for the coursework component where there is a coursework and summative examination element.

* ‘Both’ is used in the context of the module having a coursework/summative examination split; where the module is 100% coursework, there will also be a resit of the assessment

Pre-requisite None
Co-requisite None
Compatibles None
Incompatibles None

All module information is indicative and subject to change. For further information,students are advised to refer to the University's Marks and Standards and Programme Specific Regulations at: http://www.dcu.ie/registry/examinations/index.shtml

Indicative Content and Learning Activities

1
The module involves exploration of theoretical and practical perspectives of play, creativity in music, child development and curriculum frameworks through lectures, workshops, practical, hands-on experiences, demonstrations, observations and critical reflections on learning in early childhood settings.

Each session will be structured to maximise understanding of creative musical learning through presentations of theory, illustration of practical example, followed by experiential learning, individually and in pairs or small groups as a recursive, iterative process. Students will be required to study selected readings and to appraise selected recordings in advance of each session, with a view to maximising participation in class discussion.

2
Lecture and facilitated discussion on theories of play and creativity in early years, focusing on factors that can contribute to children’s musical learning. Connections with theories explored in other modules will be explicitly made.

3
Lecture and facilitated discussion on theories of children’s social, psychological and physical development and theories of musical acquisition in young children. Examples in practice.

4
Workshop reflecting on and exploring one’s own musical life experiences and recognising the agentic role of the parent/teacher/adult leader in facilitating musical learning.

5
Gradual immersion in developmental musical learning activities involving singing, playing, listening, moving, and creating music.

6
Analysis and reflection on the principles of Síolta: The National Quality Framework and Aistear: The Early Childhood Curriculum Framework, exploring how themes and approaches may be explored holistically through musical activity.

7
Experience of the formal elements of music through practical experience with instruments (e.g., pitch, rhythm, timbre, texture, dynamics, form) recognising how the language of music can contribute to understanding and planning diverse learning experiences.

8
Exploration of emerging digital learning technologies through reviews of research and practical experiences, recognising their contribution to children’s musical learning.

9
Exploration of a wide range of musical materials for children aged 0-6 years, recognising their cultural significance and relative potential to contribute to children’s musical development.

10
Compilation of a portfolio of personal resources for early years creative music teaching and learning.

11
Observation, analysis and reflection on children’s musical play and learning in an early childhood setting live and through video recordings, noting the agency and autonomy of the creative child, as well as the facilitation of the parent/teacher/leader in the setting.

12
Learning to design and plan a socially, culturally and developmentally appropriate sequence of musical learning experiences for 0-2.5 year olds (babies and toddlers) and present it to peers.

Indicative Reading List

Books:
  • Burnard, P. & Murphy: 2012, Teaching Music Creatively, 1, 13, Routledge, London, 208, 0415656060
  • Burton, S. L. & Taggart, C. Crump: 0, Learning from young children: Research in early childhood music,
  • Susan Young: 2003, Music with the under-fours, 1, 9, RoutledgeFalmer, London, 152, 0415287065
  • Patricia Shehan Campbell, Carol Scott-Kassner; technology for music instruction (chapter 12) by Kirk Kassner; photographs by Jerry Gay: 1995, Music in childhood, 1, Schirmer Books ; c1995., New York, 398, 0028705521
  • Chosky, L.: 1974, The Kodaly method, Englewood Cliffs, N.J., Prentice-Hall [1974], 244, 0135167655
  • Bernadette Duffy: 2006, Supporting creativity and imagination in the early years, 2nd, 11, Open University Press, 2006., Maidenhead, England, 208, 0335218598
  • Joanne Greata: 2006, An introduction to music in early childhood education, 1, Thomson Delmar Learning, Clifton Park, NY, 270, 0766863034
  • Linda Carol Edwards, Kathleen M. Bayless, Marjorie E. Ramsey: 2005, Music, a way of life for the young child, 5, Pearson Merrill Prentice Hall, Upper Saddle River, N.J., 256, 0131116762
  • Barbara Melling: 2006, Creative Activities for the Early Years, 1, Brilliant Publications, 164, 1903853710


Articles:
  • Campbell, P. Shehan: 2011, Musical enculturation: Sociocultural influences and meanings of children’s experiences in and through music., In M.S. Barrett (Ed.), pp. 61-81. A Cultural Psychology of Music Education, Oxford: Oxford University Press, 36991
  • 2012: Active music classes in infancy enhance musical, communicative and social development, Developmental Science 15(3), 398–407, 10, 36992, 1
  • Infants as musical connoisseurs: In G.E. McPherson (Ed.), pp. 33-49. The Child as Musician: A Handbook of Musical Development, Oxford: Oxford University Press Development (pp. 33-49), 17, 36993, 2, Young, S
  • In K. Smithrim & R. Upitis (Eds.), Listen to their Voices: Research and Practice in Early Childhood Music, Waterloo, ON: Canadian:
Other Resources

  • Website: Musicality and music before three: Human vitality and invention shared with pride, http://www.heartmind.com.au/db_uploads/Musicality_&_Music_before_three_2002.pdf
  • Website: NCCA, 2009, Aistear, http://www.ncca.ie/en/Curriculum_and_Assessment/Early_Childhood_and_Primary_Education/Early_Childhood_Education/Aistear_Toolkit/Aistear_and_PSC_audit.pdf
  • Website: Early Arts, http://www.earlyarts.co.uk
  • Website: Early Birds Music, http://www.earlybirdsmusic.com
  • Website: Early Childhood Music Education Commission of ISME, http://www.isme.org/ecme
  • Website: European Network Music Educators and Researchers of Young Children, http://www.meryc.eu
  • Website: Kodály Music Education Institute of Australia, http://www.kodaly.org.au/resources.php
  • Website: Seomra Ranga – Music, http://www.seomraranga.com/links/music
  • Website: Sing Up, http://www.singup.org
  • Website: The Dalcroze Society, http://www.dalcroze.org.uk/indexb.html
  • Website: The National Council for Curriculum and Assessment, http://www.curriculumonline.ie
  • Website: The Kennedy Center Arts Integration - The Kennedy Center’s perspective, http://artsedge.kennedy-center.org/educa tors/how-to/series/arts-integration-beta /arts-integration-beta.aspx
  • Website: Tiny Voices Report, http://issuu.com/cgpublish/docs/tiny_voices
  • Website: British Journal of Music Education (Edited by Regina Murphy & Martin Fautley) Cambridge University Press, http://journals.cambridge.org/action/displayJournal?jid=BME
  • Website: Music Education Research Taylor & Francis:, http://www.tandfonline.com/toc/cmue20/current#.U4X3RvldXTo
  • Website: Music Teacher Rhinegold Publishing, http://www.rhinegold.co.uk/magazines/music_teacher/default.asp

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