| Module Title |
Embodiment, Education & the Arts |
| Module Code |
EDP1008 (ITS: AP303) |
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Faculty |
DCU Institute of Education |
School |
Arts Education & Movement |
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NFQ level |
8 |
Credit Rating |
5 |
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Description
This module will focus on the relationship between embodiment, drama education and the arts. The strategies and methodologies used will focus initially on developing an embodied and holistic awareness in the person of the student teacher, which will have implications not only for approaches to curriculum, but also for his/her quality of presence, relationship and communication in the classroom. Drawing on the field of somatic movement education, the sessions will initially focus on explorations in movement and the senses. As the weeks progress, participants will observe the impact of these explorations in pedagogical or performative applications.
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Learning Outcomes
1. 1E264045-7C10-0001-D640-AC4016DFE400 2. • Engage with his/her experience of the body-mind continuum through the
principles and practices of somatic education. 4. 6,7,8,9,10,11,12,17,18,19,20,21,22,23 5. 1 6. 1E37E31E-CD45-0001-6F6D-3DE075C26F10 7. • Identify somatic principles of particular relevance to creativity and arts
education. 9. 6,7,9,10,11,12,14,19,20,21,22,23 10. 2 11. 1E37E31E-E475-0001-12D8-16A36F70E910 12. • Interrogate the relationship between his/her personal and professional experience in the context of principles of somatic education 14. 6,7,8,9,10,11,12,14,17,18,19,20,21,22,23 15. 3 16. 1E37E31E-FEEF-0001-1BBF-697B3C83125A 17. • Reference his/her experience in the context of recommended literature in the field. 19. 22,7,6,23,21,11,9,10 20. 4 21. 1E497200-A33F-0001-159B-1050BBA02DF0 22. Explore the role of the outdoors in the somatic education process. 24. 6,7,8,9,10,11,12,13,14,19,20,21,22,23 25. 5
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| Workload | Full time hours per semester | | Type | Hours | Description |
|---|
| Seminars | 22 | No Description | | Assignment Completion | 103 | No Description |
| Total Workload: 125 |
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| Section Breakdown | | CRN | 20257 | Part of Term | Semester 2 | | Coursework | 100% | Examination Weight | 0% | | Grade Scale | 40PASS | Pass Both Elements | N | | Resit Category | RC1 | Best Mark | N | | Module Co-ordinator | Paula Murphy | Module Teacher | Paula Murphy |
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| Assessment Breakdown |
| Type | Description | % of total | Assessment Date |
| Assignment | n/a | 100% | n/a |
| Reassessment Requirement Type |
Resit arrangements are explained by the following categories;
RC1: A resit is available for both* components of the module.
RC2: No resit is available for a 100% coursework module.
RC3: No resit is available for the coursework component where there is a coursework and summative examination element.
* ‘Both’ is used in the context of the module having a coursework/summative examination split; where the module is 100% coursework, there will also be a resit of the assessment
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Pre-requisite |
None
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Co-requisite |
None |
| Compatibles |
None |
| Incompatibles |
None |
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All module information is indicative and subject to change. For further information,students are advised to refer to the University's Marks and Standards and Programme Specific Regulations at: http://www.dcu.ie/registry/examinations/index.shtml
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Indicative Content and Learning Activities
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Indicative Reading List
Books:
- Augusto Boal: 1992, Games for Actors and Non-actors, Routledge, London, 247, 9780415061551
- Patrice Baldwin: 2012, With Drama in Mind, A&C Black, 157, 9781441169358
- Mike Fleming,John O'Toole,Liora Bresler: 2017, The Routledge International Handbook of the Arts and Education, 'Signs, Meanding and Embodiment', Routledge, 223, 9781138577275
- Paula Murphy,Margaret O'Keeffe: 2006, Discovering Drama, 4, Gill Education, Dublin, 78, 9780717139347
- Margaret Robertson,Rod Gerber: 2001, Children's Ways of Knowing, Children and drama; knowing differently, Acer Press, 218, 0864313497
Articles:
- Hermand, C.: 2015, Of Movements and Affects: Dance Improvisation as a Participatory Sense-Making Activity., Embodiment in Arts Education, 1, https://www.academia.edu/38149021/Of_Movements_and_Affects_Dance_Improvisation_as_a_Participatory_Sense_Making_Activity?auto=citations&from=cover_page, 518763
- 2012: Holistic education: An approach for 21 century., International Education Studies, vol.5, 178, http://dx.doi.org/10.5539/ies.v5n3p178, 518764, 1
- Letters to a new teacher: A curriculum of embodied aesthetic awareness: Teacher Education Quarterly, vol. 35, 29, http://www.jstor.org/stable/23479222,
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Other Resources
None |
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