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Latest Module Specifications

Current Academic Year 2025 - 2026

Module Title Audio
Module Code ICT1020 (ITS: CM243)
Faculty Humanities & Social Sciences School Communications
NFQ level 8 Credit Rating 10
Description

The aims of the module are: 1. Develop a critical understanding of the use of sound and music in emerging media. 2. Critique influential producers and makers in the audio field. 3. Enable students to advance their skills to the planning and implementation of audio and music components time based and responsive mixed media projects. 4. Plan, design and deliver soundtracks for time based media and responsive systems.

Learning Outcomes

1. Analyse the role of sound and music in mixed media environments.
2. Conduct recording sessions for music, voiceover, foley and ADR.
3. Show proficiency in the use of location recording technologies.
4. Mix sound from both musical and environmental sources.
5. Appraise creative recording practices.
6. Appraise the work of sound artists
7. Produce a major sound work for integration into a mixed media environment.
8. Design and produce sound for linear and responsive media
9. Communicate effectively in written or other non-oral formats, adapting to the audience profile as required. (Communicative Competence DACS)
10. Demonstrate awareness of one's communication abilities, including areas for development. (Communicative Competence DACS)


WorkloadFull time hours per semester
TypeHoursDescription
Lecture24Lecture - Demonstrations
Seminars24Lecture/Seminars/Studio Workshops
Assignment Completion20Assignments 1-Portfolio
Class Presentation34Assignment 2 - preparation and presentation
Assignment Completion45Final Assignment Completion
Fieldwork20Location Recording
Directed learning23Directed recording and mixing tasks
Independent Study60No Description
Total Workload: 250
Section Breakdown
CRN10820Part of TermSemester 1
Coursework100%Examination Weight0%
Grade Scale40PASSPass Both ElementsN
Resit CategoryRC1Best MarkN
Module Co-ordinatorDeclan TuiteModule Teacher
Assessment Breakdown
TypeDescription% of totalAssessment Date
ProjectAnalyse an influential maker and present a remix or reworking of audio in a mixed media environment30%Week 8
ProjectTo produce a major sound work or sound installation50%Week 12
PortfolioSet of 4 directed technical tasks -20%Week 11
Reassessment Requirement Type
Resit arrangements are explained by the following categories;
RC1: A resit is available for both* components of the module.
RC2: No resit is available for a 100% coursework module.
RC3: No resit is available for the coursework component where there is a coursework and summative examination element.

* ‘Both’ is used in the context of the module having a coursework/summative examination split; where the module is 100% coursework, there will also be a resit of the assessment

Pre-requisite None
Co-requisite None
Compatibles None
Incompatibles None

All module information is indicative and subject to change. For further information,students are advised to refer to the University's Marks and Standards and Programme Specific Regulations at: http://www.dcu.ie/registry/examinations/index.shtml

Indicative Content and Learning Activities

Module Delivery
This module is delivered through a series of lectures, workshops, seminars, demonstrations, resource-based learning exercises and discussions

Technical: Studio
Advanced recording techniques, stereo microphone placement, creative recording, live radio broadcast, MIDI and music software.

Technical: Editing and Mixing
Advanced editing techniques, manipulation and mixing. Sound for film and multimedia projects.

Project Development
Research, interpretation of a brief, pre and post production strategies, peer appraisal and critique.

Appraisal of film sound
An advanced analysis of sound, silence, music and voice in multimedia projects.

Technical: Film Sound
Advanced film and responsive media sound techniques.

Indicative Reading List

Books:
  • Tatlow, S.,: 2024, Authenticity in sound design for virtual reality. In History as Fantasy in Music, Sound, Image, and Media (pp. 161-184)., Routledge.,
  • Sinclair, J.L.,: 2020, Principles of game audio and sound design: sound design and audio implementation for interactive and immersive media., Focal Press.,
  • Rambarran, S.,: 2021, Virtual Music: Sound, Music, and Image in the Digital Era., Bloomsbury Publishing USA.,
  • Murray, L.,: 2019, Sound design theory and practice: Working with sound., Routledge,
  • Schutze, S.,: 2018, Virtual Sound: A Practical Guide to Audio, Dialogue and Music in VR and AR., Taylor & Francis,,
  • Williams, James & Hall, Sarah: 2017, Music on Screen: From Cinema Screens to Touchscreens, 2, Musicology Research Journal,
  • Garner, T.A.,: 2017, Echoes of Other Worlds: Sound in Virtual Reality: Past, Present and Future., Springer,
  • Collins, K., Kapralos, B. and Tessler, H. eds.,: 2014, The oxford handbook of interactive audio., Oxford University Press, USA.,
  • Summers, T.,: 2016, Understanding video game music., Cambridge University Press.,
  • Born, G.: 2013, Music, sound and space: transformations of public and private experience, Cambridge University Press.,
  • Wierzbicki, J.: 2012, Music, sound and filmmakers: sonic style in cinema., Routledge, Routledge,
  • Bordwell, David.: 2013, Narration in the fiction film, Routledge, Routledge,
  • Barry Blesser and Linda-Ruth Salter: 2007, Spaces Speak, are you listening? Experiencing Aural Architecture, MIT Press,
  • Licht, A. and O'Rourk, J.: 2007, Sound art: beyond music, between categories., Rizzoli.,


Articles:
  • Meelberg, V.,: 2018, Narrative Sonic Ambiances. Designing Positive Auditory Environments Using Narrative Strategies., In Proceedings of the Euronoise 2018, Crete, Greece,, 27–31 May 2018;, 845, 524410
  • 2018: .Sonic interactions in virtual reality: State of the art, current challenges, and future directions., IEEE computer graphics and applications,, 38(2), pp.31-43., 524411, 1
  • Reconstructing atmospheres: Ambient sound in film and media production.: Communication and the Public, 2(4), 352,
Other Resources

  • 1: Handouts:, Technical resourses,
  • 420693: 1, Readings:, Project Brief, Lecture related materials,
  • 420694: 1, Audio:, Listening examples and resources,
  • 420695: 1, Websites:, Audio relates URL's,
  • 420696: 1, Video, Course related video support,

<< Back to Module List View 2024/25 Module Record for ICT1020