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Latest Module Specifications

Current Academic Year 2025 - 2026

Module Title Scriptwriting
Module Code LIT1014 (ITS: CM285)
Faculty Communications School Humanities & Social Sciences
NFQ level 8 Credit Rating 10
Description

- This module engages students in the principles and the practice of effective dramatic writing. This is done in relation to both fiction and non-fiction texts. Texts from both traditional media and new media will be studied, including short films, radio plays, podcasts and the students’ own work. Students will assess existing texts in various media and learn to conceptualise dramatically and write short evocative scripts. They will develop ideas and drafts of short films, plays, sound podcasts and ads. Students will also evaluate group and individual work through peer-reviewing workshops. This module is run through a workshop format with in-class writing exercises.

Learning Outcomes

1. Learn and describe the principles and practice of effective dramatic writing.
2. Write short evocative scripts
3. Assess existing texts from both traditional and new media.
4. Demonstrate dramatic conceptualisation by producing their own scripts.
5. Identify and develop appropriate structures for different media forms.


WorkloadFull time hours per semester
TypeHoursDescription
Lecture30Lectures including in-class workshops and exercises
Independent Study220Reading and Writing Scripts
Total Workload: 250
Section Breakdown
CRN10935Part of TermSemester 1
Coursework0%Examination Weight0%
Grade Scale40PASSPass Both ElementsY
Resit CategoryRC1Best MarkN
Module Co-ordinatorMarcos DiasModule TeacherDeclan Tuite, Kay Sheehy, Orla Bourke
Assessment Breakdown
TypeDescription% of totalAssessment Date
ParticipationAttendance and Participation. Students must attend lectures and complete in-class tasks.10%n/a
Group assignmentStudents will write a ten-minute play.30%n/a
AssignmentStudents will write a travel podcast (individual assignment).30%n/a
AssignmentStudents will write a five-minute play (individual assignment).30%n/a
Reassessment Requirement Type
Resit arrangements are explained by the following categories;
RC1: A resit is available for both* components of the module.
RC2: No resit is available for a 100% coursework module.
RC3: No resit is available for the coursework component where there is a coursework and summative examination element.

* ‘Both’ is used in the context of the module having a coursework/summative examination split; where the module is 100% coursework, there will also be a resit of the assessment

Pre-requisite None
Co-requisite None
Compatibles None
Incompatibles None

All module information is indicative and subject to change. For further information,students are advised to refer to the University's Marks and Standards and Programme Specific Regulations at: http://www.dcu.ie/registry/examinations/index.shtml

Indicative Content and Learning Activities

1 A look at Young Irish Scriptwriters and finding ideas for plays/short films
Group Writing exercise – build a story

Meditation for Writers – Finding the Muse

2 TV Scripts
Read a 30 minute TV script out loud in class (eg Young Offenders), then watch and discuss

Group Writing exercise – name that person

Meditation – Finding the Voice Within

3 The structure of a good film/play
Identifying character, their primary desire, the block, the conduit to overcoming it and how the character changes.

Writing exercise – Who Am I

Meditation – You Are a Writer

4 Radio playscripts –writing for sound vs screen
Read script aloud, listen to RTE play and discuss.

Also, songwriting scripts which tell stories in radio ads. Read, listen and discuss.

5 How to write a travel podcast
Good dramatic writing – show, don’t tell

Listen to RTE Sunday Miscellanies and discuss

Round table peer reviews by students of one another's work as in a professional writers’ group.

6 Advertisement Scripts.
Listen to ads with stories and discuss. How popular songs and short books are turned into ad scripts.

7 Starting the ten-minute screenplay
Students, in groups of four, percolate ideas and write the first page of their play. Read aloud to class and get feedback. Up to four drafts of each of these are completed in the module. The class act out their plays and students give feedback.

Characters & Dialogue

Script Visualization

Theme, Style, & Symbol.

Indicative Reading List

Books:
  • Sandy Marsh: 2018, How to Write a Play, Createspace Independent Publishing Platform,
  • Robert McKee: 2005, Story: Substance, Structure, Style and the Principles ofScreenwriting, Methuen.,
  • Blake Snyder: 2005, Save the Cat – The Last Book on Screenwriting That You’ll Ever Need, Michael Wiese Productions,
  • Jim Culleton (ed.): 2002, Fishamble/Pigsback: First Plays, New Island,
  • Linda Seger: 1996, The Art of Adaptation: Turning Fact and Fiction intoFilm., Henry Holt &Co.,
  • Michael Littleton et al: 1994, Prize Winning Radio Stories., Mercier.,


Articles:
None
Other Resources

None

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