Latest Module Specifications
Current Academic Year 2025 - 2026
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Description Starting with Aristotle’s Poetics and the literature of ancient Greece, this module will begin by exploring the creative tension between comedy and tragedy that has permeated culture. It will then move into a further exploration of genre, across literary history and national literatures. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Learning Outcomes 1. Discriminate between comedy and tragedy, applying a knowledge of Aristotleian concepts 2. Indicate when the tragic and the comic converge or get confused 3. Reflect upon the social responsiveness of genre 4. Understand the flexibility potential within genres 5. Comprehend the way in which presuppositions about genre shape reading | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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All module information is indicative and subject to change. For further information,students are advised to refer to the University's Marks and Standards and Programme Specific Regulations at: http://www.dcu.ie/registry/examinations/index.shtml |
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Indicative Content and Learning Activities
Aristotle Sophocles, Euripides and Aristophanes Comic Archetypes Tragi-Comic Confusions Tragi-Comic Cinema Types of Comedy Popular Genres Popular Genres: Gun-Plays Popular Genres: Fantasy Popular Genres: Gothic Beginnings of literary criticism, Tragedy and Comedy Oedipus Rex, Medea, Lysistrata From Ancient Greece to the Present Dr. Faustus, Ethan Frome , Kafka, Beckett Oldboy, Grizzly Man, True North, Duck Soup Satire (Swift) - Screwball - Farce Western: Stephen Crane “The Blue Hotel” Detective: Raymond Chandler The Big Sleep Sci-Fi Stories by Poe | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Indicative Reading List Books:
Articles: None | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Other Resources None | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||