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Module: Literature & Value: What Makes Great Books Great
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Module Specifications

Academic Year 2026 - 2027

Module Title Literature & Value: What Makes Great Books Great
Module Code LIT1020 (ITS: EL106)
Faculty Humanities & Social Sciences School English
NFQ level 8 Credit Rating 5
Description

This module offers an examination of how literary value is generated and disseminated throughout the history of Western culture, and will show how the idea of a literary canon has become increasingly problematic. How do “Great” Books come to be called Great? Why do some books or writers come out of fashion? What role do critics and other interpreters (like teachers) play in the generation of canonicity? How has the idea of a classic evolved over time?

Learning Outcomes

1. Discuss knowledgeably the phenomenon of the western canon
2. Show an analytical awareness of the various ways in which canonicity can be communicated
3. Express an aptly complicated sense of the perceived “greatness” of a writer of work
4. Perform readings of classic texts that open them up to a range of interpretative approaches
5. Form an understanding of the political implications of literary taste-making


WorkloadFull time hours per semester
TypeHoursDescription
Lecture21No Description
Tutorial3No Description
Independent Study101No Description
Total Workload: 125
Section Breakdown
CRN20596Part of TermSemester 2
Coursework100%Examination Weight0%
Grade Scale40PASSPass Both ElementsN
Resit CategoryRC1Best MarkN
Module Co-ordinatorPaula MurphyModule TeacherMichael Hinds
Assessment Breakdown
TypeDescription% of totalAssessment Date
Assignmentmid-semester continuous assessment assignment20%n/a
EssayEnd-of-Semester essay questions70%n/a
Completion of online activityshort assessment task to be completed/uploaded on Loop10%n/a
Reassessment Requirement Type
Resit arrangements are explained by the following categories;
RC1: A resit is available for both* components of the module.
RC2: No resit is available for a 100% coursework module.
RC3: No resit is available for the coursework component where there is a coursework and summative examination element.

* ‘Both’ is used in the context of the module having a coursework/summative examination split; where the module is 100% coursework, there will also be a resit of the assessment

Pre-requisite None
Co-requisite None
Compatibles None
Incompatibles None

All module information is indicative and subject to change. For further information,students are advised to refer to the University's Marks and Standards and Programme Specific Regulations at: http://www.dcu.ie/registry/examinations/index.shtml

Indicative Content and Learning Activities

What is a Classic?
Exploring key terms and ideas related to the canon

Sappho
Assessing the longevity and changing reputation of the work of Sappho

Alice Walker
Dramatizing issues of cultural property and heritage in relation to the story 'Everyday Use'

Ovid’s Metamorphoses
Exploring Ovid's Metamorphoses as a canon in itself, and as an abiding influencer from the Renaissance to present-day

Jane Eyre
popular and academic canonicity; navigating cultural expectations of women writers and women's fiction

Moby Dick
Moby Dick's place in culture as a text that is widely known but little read

Huckleberry Finn
Censorship and controversy in canonical texts

A Portrait of the Artist as a Young Man
What is the relationship between classics and periodicity? - Portrait as a modernist classic

Citizen Kane and The Hitchhiker
Why do some classic films endure while others disappear?

The Handmaid's Tale
How canonical texts can become relevant for different reasons with new generations of readers

Future Canonicity
What might the canon look like in the future? What might be added and what might have disappeared?

Indicative Reading List

Books:
  • Bloom, Harold: 1994, The Western Canon, Harper Collins, New York,
  • Donoghue, Denis: 2003, American Classics, OUP Oxford,
  • Eliot, TS,: 0, Selected Essays, Faber, London,
  • Gilbert, Sandra & Gubar, Susan: 2000, The Madwoman in the Attic, Yale, New Haven,
  • Meisel, Perry: 2010, The Myth of Popular Culture, Blackwell,
  • Kermode, Frank: 1989, History and Value, OUP Oxford,
  • Showalter, Elaine: 1987, A Literature of Their Own,, Virago, London,


Articles:
None
Other Resources

None

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