Latest Module Specifications
Current Academic Year 2025 - 2026
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Description This module offers an examination of how literary value is generated and disseminated throughout the history of Western culture, and will show how the idea of a literary canon has become problematized over the last half-century. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Learning Outcomes 1. Discuss knowledgeably the phenomenon of the western canon. 2. Express an aptly complicated sense of the perceived “greatness” of a writer of work 3. Perform readings of classic texts that open them up to a range of interpretative approaches 4. Argue whether or not canonicity is an ideologically neutral idea | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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All module information is indicative and subject to change. For further information,students are advised to refer to the University's Marks and Standards and Programme Specific Regulations at: http://www.dcu.ie/registry/examinations/index.shtml |
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Indicative Content and Learning Activities
The Pagan Bible: Ovid’s Metamorphoses Paradise Lost and Moby-Dick: Great Books Nobody Reads? The Madwoman in the Attic: The Canonical Peripheralization of Women Defining The Classic English Novel Modern Classics. What makes a contemporary classic? Sappho Origins of Canonicity and Mystique Alice Walker Diversity and Canon Wars | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Indicative Reading List Books:
Articles: None | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Other Resources None | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||