Sound recording from analog to digital;
Relationship between images, sounds, music and text;
The semiotics of sound and music;
Sound and narratives including the uses of silence, sounds, sound cues and interfaces;
Data compression, bandwidth and storage of audio data;
Sampling and authorship;
Generating music.
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Alkin, Glynn, Sound Recording and Reproduction. Focal Press, 1981, 1991, 1996. (3 copies in Main Lending). 621.3893/Alk
Alten, Stanley, R., Audio in Media. Wadsworth Series in Production, 1999. 791.45024/Alt
Altman, Rick, ed., Sound Theory/Sound Practice. Routledge, 1992. (1 copy in Main Lending). 791.43/Alt
Gibson, David, The Art of Mixing. 1998. 621.38932/Gib.
Holtzman, Steven R., Digital Mantras: The Language of Abstract and Virtual Worlds. MIT Press, 1996. (1 copy in main Lending). 001.30285/Hol
Kirk, Ross & Hunt, Andy, Digital Sound Processing for Music and Multimedia. 1999. 621.3893/Kir
Mc Leish, Robert, Radio Production. Focal Press, 1999. (8 copies in 24 HR Lending Section, 1 copy in Main Lending). 791.440232/MCL
Newell, Philip, Project Studios. Focal Press, 1999. 621.3893/New.
Nisbett, Alec, The Use of Microphones. Focal Press, 1974, 1995. (2 copies in Main Lending). 621.38284/Nis
Wisehart, Trevor, On Sonic Art. York: Imagineering Press, 1985. 781.34/Wis
Welch, Kathleen, E., Electric Rhetoric. (1999). 302.224401/Wel J
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