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Non-Linear Editing (NLE) environment: Advanced techniquesAdvanced Editing techniques: Slip, Slide and Role editing; working with the Trim Edit window.Understanding filters: the Filters Tab; Preview filters; Modify and removing filters; Share and save filters; Applying filters to multiple clips; Applying audio filters.Basic Colour Correction Techniques: understanding colour adjustments, applying the colour corrector 3-way filter, viewing colour changes, white balance correction and adjusting contrast.Chromakeying: working with blue or green screen backgrounds (linked to TV studio work).Introduction to basic compositing, keyframing and motion effects.Finishing requirements: understanding Codec considerations; Marking files for inclusion within DVD Studio Pro (DVD-R file format). Exporting files for DVD-ROM, CD and the Web.Development of technical and creative competenciesTechnical familiarisation with the DV Camcorder. Single and three/four point lighting; Use of radio, lavaliere and hand-held microphones; Interview techniques. Introduction to use of green screen technologies. Post-production use of chromakey material.Project Development Formats: Documentary and News Reporting. Overview of other creative formats - music, drama, and artistic video material. Identification and development of project requirements: idea and topic generation, treatment submission, team roles and responsibilities, scheduling and reconnaissance issues.Team consultation sessions with lecturer.Project 1: Development of treatment, storyboard/shot list, style and rationale for video project 2, including consultation session with course lecturer (Formative Evaluation).Project 2: Implementation of topic from project 1 (Summative Evaluation).Emphasis will be placed on developing a documentary or news style project on an agreed topic. Suggestions for other formats, such as a music video or drama piece will only be considered on the individual merits of the project and the relevant team''''''''''''''''s skills and competencies. N.B. the final project may be considered for inclusion in a body of work within the Digital Video 3 module: Advanced Digital Video Production.
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Barnow, Erik (1983): Documentary, A History of the Non-Fiction Film, Oxford University Press.Berger, Arthur Asa (1993): Writing Scripts, Sage Publications Inc.Blum, Richard A. (1995): Television and Screen Writing, Focal Press. Gaskill, Arthur L. & Englander, David A (1985): How to Shoot a Movie & Video Story, The technique of pictorial continuity, Morgan & Morgan.Hesketh, Bernard & Yorke, Ivor (1993), An Introduction to ENG, Focal PressKieran (Ed.), Matthew (1998): Media Ethics, Routledge.Lyver, Des & Swaison, Graham (1995): Basics of Video Lighting, Focal Press.Millerson, Gerald (1989): Video Production Handbook, Focal Press.Nichols, Bill (1991): Representing Reality, Indiana University Press.Rabiger, Michael (1992), Directing the Documentary (2nd Ed.) Rosenthal, Alan (1995): Writing Docudrama, Focal Press.Rea, Peter W. & Irving, David K. (1995): Producing & Directing the Short Film & Video, Focal PressRice, David (1993): The Rathmines Style Book, Folens.Richards, Ron (1992): A Directors Method for Film & Television, Focal Press.Silverstone, Roger (1985): Framing Science, The Making of a BBC Documentary, BFI Books.Strunk Jr., William & White, E.B. (1979): The Elements of Style, MacMillan.Thompson, Roy (1993), Grammar of the Edit, Focal PressTuke, William (2005), Course notes & web site resource.Van Nostran, William J. (1996): The Scriptwriters Workbook, Focal Press.Vineyard, Jeremy (2000): Setting up Your Shots, Michael Wiese Productions.Ward, Peter (1996), Picture Composition, Focal PressYorke, Ivor (1995), Television News - 3rd Edition, Focal Press.Yorke, Ivor (1994): Basic TV Reporting, Focal PressDiana Weynand (2004): Apple Pro Series; Final Cut Express 2
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