Registry
Module Specifications
Archived Version 2009 - 2010
|
Module Title |
Digital Audio 2
|
|
Module Code |
CM243
|
|
School |
School of Communications
|
Online Module Resources
|
|
Level |
2
|
Credit Rating |
10
|
|
Pre-requisite |
None
|
|
Co-requisite |
None
|
|
|
Module Aims
|
For Students wishing to develop their skills in digital audio production this module provides training in the use of professional software packages.
|
|
Learning Outcomes
|
Students taking this module will:
* Be technically adept at using digital audio editing software including ProTools TDM systems;
* Further develop their technical and creative production skills;
* Be capable of integrating sound and music into a variety of multimedia environments
Understand the technical and production considerations impacting on the provision of new digital media.
|
|
Indicative Time Allowances
|
|
|
Hours
|
|
Lectures |
0
|
|
Tutorials |
0
|
|
Laboratories |
0
|
|
Seminars |
0
|
|
Independent Learning Time |
150
|
|
|
|
|
Total |
150
|
|
Placements |
|
|
Assignments |
|
|
|
NOTE
|
Assume that a 10 credit module load represents approximately 150 hours' work, which includes all teaching, in-course assignments, laboratory work or other specialised training and an estimated private learning time associated with the module.
|
|
Indicative Syllabus
|
|
Overview of Structure and Contents of Module
* Introduction to the aims and purposes of the module;
* Overview of key skill sets and techniques to be acquired;
* ProTools TDM - an introduction to the key packages, capabilities and organisation;
* Sound production for digital media; an overview - an explanation of the acronyms, roles and responsibilities.
Recording Hardware:
* Storage media, microphones and the recording console - working in the digital environment;
* The digital console - digital recording principles and layout.
Digital Recording Studios:
* ProTools studio;
* Tool kits, effects and editing techniques - an overview;
* Advanced sound editing and manipulation - tools and techniques;
* Equalisation, compression and other effects.
Mixing Sound:
* The significance of mixing - an overview;
* Mixing techniques for audio recordings;
* Planning and developing a mix - strategies and techniques;
* Mixing music - pronciples and practices;
* Models for music mix;
* Creating and mixing ambient sounds.
Synchronisation:
* Synching audio to other digital media - principles, techniques and practices;
* Using time code;
* Mixing for mixed media.
Digital Aesthetics:
* The aesthetics of sound - an overview;
* Trends in sound recording and design;
* The beauty of analogue;
* Creating analogue effects using digital media.
|
| Assessment | | Continuous Assessment | 100% | Examination Weight | 0% |
|
|
Indicative Reading List
|
|
Alten, Stanley, R., Audio in Media (Wadsworth Series in Production). 1999.
Gibson, David, The Art of Mixing. 1998.
Pohlman, Ken, C., Principles of Digital Audio [3rd Edition]. 1995.
|
|
|
|
Programme or List of Programmes
|
| MMA | BSc in Multimedia |
| Archives: | |
