Registry

All module information is indicative and subject to change. For further information,students are advised to refer to the University's Marks and Standards and Programme Specific Regulations at: http://www.dcu.ie/registry/examinations/index.shtml

• Bill Nichols: 1991, Representing reality, Indiana University Press, Bloomington, 0253340608
• Erik Barnouw: 1983, Documentary, A History of Non-Fiction Film, Oxford University Press, New York, 0195078985
• edited by Michael Renov: 1993, Theorizing documentary, Routledge, New York, 0415903815
• [edited by] Kevin MacDonald and Mark Cousins: 1996, Imagining reality: The Faber book of documentary, Faber and Faber, London, 0571177239
• Harvey O'Brien: 2004, The real Ireland, Manchester University Press, Manchester, 0719069076
• William Guynn: 1990, A cinema of nonfiction, Fairleigh Dickinson University Press, Rutherford, 0838633404
• Paul Swann: 0, The British documentary film movement, 1926-1946, Introduction, Manchester University Press, 0521334799
• edited with an introduction by Annette Michelson; translated by Kevin O'Brien: 1984, Kino-eye: The writing of Dziga Vertov, Introduction, Pluto Press, 0520047605
• Richard M. Barsam: 1992, Nonfiction film, Indiana University Press, Bloomington, 0253311241
• edited by Alan Rosenthal: 1988, New challenges for documentary, University of California Press, 0520057252
• William Rothman: 1997, Documentary film classics, University of Cambridge Press, 0521456819
• Barclay, K. and O'Briain D: 0, The Revolution Will Not Be Televised: Chavez after the Coup,
• Coner, John: 1996, The art of record: a critical introduction to documentary, Manchester University Press,
• Vlada, P. ed. by Waugh, T.: 1984, Show us life - towards a history of asthetics of the committed documentary, Esther Shub: Film as a Historical Discourse, The Scarecrown Press,
• edited and translated by Richard Taylor; co-edited with an introduction by Ian Christie: 1988, The Film factory, Routledge & Kegan Paul, London, 0710096283
• Jay Leyda: 1983, Kino, Princeton University Press, Princeton, N.J., 0691003467
• Vlada Petrić: 1987, Constructivism in film, (Vertov / Eisenstein controversy) 'The man with the movie camera, a cinematic analysis', Cambridge University Press, Cambridge, 0521443873
• Edited by Luda and Jean Schnitzer and Marcel Martin. Translated and with additional material by David Robinson: 1973, Cinema in revolution, Dziga Vertov Chapter 5, Secker and Warburg, 0809013703