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Module Specifications

Archived Version 2017 - 2018

Module Title
Module Code
School

Online Module Resources

NFQ level 8 Credit Rating 5
Pre-requisite None
Co-requisite None
Compatibles None
Incompatibles None
Description

This module offers an examination of how literary value is generated and disseminated throughout the history of Western culture, and will show how the idea of a literary canon has become increasingly problematic. How do “Great” Books come to be called Great? Why do some books or writers come out of fashion? What role do critics and other interpreters (like teachers) play in the generation of canonicity? How has the idea of a classic evolved over time?

Learning Outcomes

1. Discuss knowledgeably the phenomenon of the western canon
2. Show an analytical awareness of the various ways in which canonicity can be communicated
3. Express an aptly complicated sense of the perceived “greatness” of a writer of work
4. Perform readings of classic texts that open them up to a range of interpretative approaches
5. Form an understanding of the political implications of literary taste-making



Workload Full-time hours per semester
Type Hours Description
Lecture21No Description
Tutorial3No Description
Independent Study101No Description
Total Workload: 125

All module information is indicative and subject to change. For further information,students are advised to refer to the University's Marks and Standards and Programme Specific Regulations at: http://www.dcu.ie/registry/examinations/index.shtml

Indicative Content and Learning Activities

What is a Classic?
Definitions of the classic in literary criticism

Ovid’s Metamorphoses
How Ovid remains alive through use. Allusion as canonical transfusion.

Paradise Lost
Why read Milton?

Great Books we need, but Nobody Reads?
Moby-Dick’s place in culture

Popularity
Huckleberry Finn in class and under trial

Movie Classics
Is Citizen Kane still no.1?

Canonicity and Sexual Politics
The Madwoman in the Attic

Canonizing Poetry
Why is Elizabeth Bishop on the Leaving Cert?

The Writer as Saint
Seamus Heaney

The Value Question
Dylan v Keats

Instant Classics?
The Booker Prize and Gong Culture

Instant Classics? TV Box Sets and the Class factor
Breaking Bad, The Wire, the Simpsons

Assessment Breakdown
Continuous Assessment% Examination Weight%
Course Work Breakdown
TypeDescription% of totalAssessment Date
Reassessment Requirement
Resit arrangements are explained by the following categories;
1 = A resit is available for all components of the module
2 = No resit is available for 100% continuous assessment module
3 = No resit is available for the continuous assessment component
Unavailable
Indicative Reading List

  • Bloom, Harold: 1994, The Western Canon, Harper Collins, New York,
  • Donoghue, Denis: 2003, American Classics, OUP Oxford,
  • Eliot, TS,: 0, Selected Essays, Faber, London,
  • Gilbert, Sandra & Gubar, Susan: 2000, The Madwoman in the Attic, Yale, New Haven,
  • Meisel, Perry: 2010, The Myth of Popular Culture, Blackwell,
  • Kermode, Frank: 1989, History and Value, OUP Oxford,
  • Showalter, Elaine: 1987, A Literature of Their Own,, Virago, London,
Other Resources

None
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