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Module Specifications

Archived Version 2005 - 2006

Module Title Reading Media
Module Code CM135
School School of Communications

Online Module Resources

Module Co-ordinatorProf. Patrick BreretonOffice NumberC142A
Level 1 Credit Rating 5
Pre-requisite None
Co-requisite None
Module Aims
-To develop core foundational skills of reading and interpreting across a wide range of media, including film, TV, Photography as well as Print and 'new' media. -Using broad categorising/interpreting tools such as Genre, Narrative, Linguistic, Representation (Ideology) alongside formal/stylistic tools of media conventions, basic semiotics, image analysis etc. to develop a framework for reading and interpreting mass media artifacts.

Learning Outcomes
Students will acquire the ability and skill to: -develop close reading skills through an extensive re-viewing of all the major categories of mass media texts to unpack the range of possible meanings/interpretations embedded therein -read and interpret photographs, moving images as well as print media within the context of their generic conventions and through using a range of critical tools drawn from the media/communications discipline -read and interpret other critics interpretation/analysis of a given text and re-apply it to their own initial observation -discuss and debate interpretations and analysis using an appropriate 'objective' interpretative register -write academic textual analysis of film/TV programmes/print media which explore and articulate this process of meaning creation

Indicative Time Allowances
Hours
Lectures 24
Tutorials 0
Laboratories 0
Seminars 0
Independent Learning Time 51

Total 75
Placements
Assignments
NOTE
Assume that a 5 credit module load represents approximately 75 hours' work, which includes all teaching, in-course assignments, laboratory work or other specialised training and an estimated private learning time associated with the module.

Indicative Syllabus
Week 1 Learning from Art: The importance of framing, form and content, figure and ground, composition, spatial organisation, colour and light in painting. Week 2 Photography: An introduction to the history of photography and the distinction between the denotation and connotation of the photographic image. Photography as iconic sign. Week 3 Photojournalism: The development of photojournalism from its inception via the picture story and pictorial press, candid camera techniques and the photographic agency. Lecture 4 The Digital Image: Starting with the difference between the analogue and digital image, this lecture will then examine the range and significance of digitisation in multimedia representations. Week 5 Reading the News: A critical analysis of the construction of news in broadcast, print and electronic media. Week 6 Music Video: Examining relations between text and institution, representation, realism debates, sociological and musicological construction of images, issues of post-modernism and music television. Week 7 Reading Week [hand in of assignment 1] Week 8 Advertising and Semiotics: Deconstructing and interpreting meaning. Focusing on issues of ideology, representation, realism and pleasure. Week 9 Documentary Realism: Reading Reality TV and other forms of Documentary. Week 10 Reading audio visual media: Developing a basic grammar of how to do a textual analysis. Week 11 Deconstructing Film: How to apply debates around Representation, Ideology and Realism to reading film. Week 12 New Media: Applying conventional rules of reading the media to new digital media Tutors: Week 1-4 Des McGuinness Week 5-6 Jim Rodgers Week 8-12 Pat Brereton. Assessments: [Tutors will clarify assignment details in lectures and seminars] 1 50% In groups of 3 - pick 3 Images and analyse each image across the three categories of: a) content, b) semiotic analysis c) ideological. 2000 words. To be submitted on the Thurs 12oc on week 7. 24th March 2 50% Produce an individual reading of an audio visual text of your choice following the rules laid out. 1200-1500 words. To be submitted in week 13 [time to be clarified]
Assessment
Continuous Assessment100% Examination Weight0%
Indicative Reading List
Assessment: Alvarado, M. & Thompson, J. (eds) (1990) The Media Reader. B.F.I. Barthes, R. Mythologies and Camera Lucida Bell, A. & Joyce, M. & Rivers, D. (1999) Advanced Level Media. Hodder and Stoughton. Berger, J. () Ways of Seeing Branston, G. & Stafford, R. (1997) The Media Student's Book. Routledge Brereton, P. (2001) The Continuum Guide to Media Education. Continuum. Briggs, A. & Cobley, P. (eds) (1998) The Media: An Introduction. Longman. Buckland, W. (1998) Teach Yourself Film Studies. Hodder and Stoughton (not in L) Burton, G. (1990) More than Meets the Eye: An Introduction to Media Studies. Edward Arnold Cobley, P. (ed) (1996) The Communication Theory Reader. Routledge Cook, P (ed) (1999 ed) The Cinema Book. B.F.I. Corner, J & Harvey, S. (eds) (1996) Television Times: A Reader. Arnold. Curran, J & Seaton, J. (1997 ed) Power without Responsibility. Routledge Dimbley, R. & Burton, G. (1998) More than Words: An Introduction to Communications Studies. Routledge Fiske, J. & Hartley, J. (1978) Reading Television. Routledge Fiske, J. (1987) Television Culture. Routledge Fiske, J. (1994 ed) Introduction to Communications Studies. Routledge Geraghty, C . & Lusted, D. (eds) (1998) The Television Studies Book. Arnold Goodwin, A & Whannel, G (eds) (1990) Understanding Television. Routledge Hall, Stuart (ed) (1997) Representations Open University Hart, A. (1991) Understanding the Media: A Practical Guide. Routledge Hartley , J (1982) Understanding News. Routledge Mirzoeff, N. (ed) (1998) The Visual Culture Reader. Routledge O'Sullivan, T. & Jewkes, Y. (eds) (1997) The Media Studies Reader (Edward) Arnold. O'Sullivan, T. et al. (1998) Studying the Media. Arnold Postman, N. (1987) Amusing Ourselves to Death. Metheun Price, S (1993) Media Studies. Pitman Schlesinger, P. (1992) Putting Reality Together Routledge Selby, K. & Cowdery, R. (1995) How to Study Television. MacMillan Sheehan, Helena (1987) Irish Television Drama: a society and its stories. RTE. Stewart, Colin et al. (2001) Media and Meaning: An Introduction. BFI Turner, G. (1999 ed) Film as Social Practice. Routledge Williams, R. (1983) Keywards: A Vocabulary of Culture and Society Fontana. www.comms.dcu.ie/sheehanh/news/readingmedia
Programme or List of Programmes
BSSAStudy Abroad (DCU Business School)
BSSAOStudy Abroad (DCU Business School)
CSBA in Communication Studies
ECSAStudy Abroad (Engineering & Computing)
ECSAOStudy Abroad (Engineering & Computing)
HMSAStudy Abroad (Humanities & Soc Science)
HMSAOStudy Abroad (Humanities & Soc Science)
JRBA in Journalism
MMABSc in Multimedia
SHSAStudy Abroad (Science & Health)
SHSAOStudy Abroad (Science & Health)
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